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Showing posts with label v for vendetta. Show all posts
Showing posts with label v for vendetta. Show all posts

Saturday, March 8, 2008

V for Justification...wait...

I think it’s time to question another of our underlying assumptions, yay! So, in class we spent quite some time talking about whether certain of V’s actions were justifiable, for example, killing the priest who had merely been present at Larkhill, but who probably hadn’t contributed to any of the killing or experimentation (though who knows what he did to little girls there), or V’s abduction, imprisonment and torture of Evey. My question is, why should we be concerned as to whether these are justifiable actions or not? V does not feel that he has to justify his actions to anyone, merely take responsibility for them. V is also working to create anarchy, the land of do-as-you-please, not the land of do-as-you-please-then-tell-us-why-it’s-okay. If he is just doing as he pleases, even if he has a reason for doing what he does, do we need to try to justify it if V himself does not think a justification is necessary?

Responsibility, Fate and Anarchy

So, this novel was pretty freaking awesome, just putting that out there. Also, please try to avoid too many movie spoilers. I don’t know about anyone else, but I haven’t seen the film version yet, and since it apparently doesn’t follow the book, please don’t ruin it. Thanks.

Anyway, I went into this book not really knowing what the story was about. It wasn’t my first graphic novel, so I wasn’t in that boat with some of you, but all I knew was that someone was on a vendetta (got that from the title, don’tcha know). Needless to say, I wasn’t really expecting it to be quite that much of a political piece. Still, I really liked it. The mystery, psychology and political commentary were well paced and spaced, and I quite enjoyed the way that characters didn’t just disappear, but we continued to follow up on them throughout the entire novel. For example, I was a little confused as to why we kept following the plight of Rosemary until we discover that she is the one who is going to kill the leader, but at the same time, even when I didn’t know where her story was going, it was interesting to see the long term consequences of her husband’s treatment of her, V’s actions, and her own choices that ultimately led her to stand next to that car with a gun.

V talks about wanting everyone to take responsibility for their actions, and that is a major part of what this book is about. He forces that responsibility on the people who ran Larkhill by killing them or driving them insane (why is Prothero the only person from Larkhill he didn’t kill, by the way?). He never shirks his own responsibility for the things he does. Even when we don’t see characters taking responsibility for their actions, we see the results of those actions, and we know who is to blame for them.

One thing I wish we’d seen more of was Fate. While the whole Susan/Fate relationship was interesting to observe, I wondered what exactly Fate did. They talked about “consulting Fate,” but from what I read, I never really quite grasped what it is that fate does for them, aside from calculating the exact minute when the rain will start. Anyone have a more clear idea than it just being a supercomputer and supercomputing for the government?

One of the most interesting things to me in the novel was V’s distinction between Anarchy and Chaos when Eve asks him, “All this riot and uproar, V…is this anarchy? Is this the land of do-as-you-please?” He replies, “No. This is only the land of take-what-you-want. Anarchy means “without leaders” not “without order.” With anarchy comes an age of ordnung, of true order, which is to say voluntary order. This age of ordung [sic] will begin when the mad and incoherent cycle of verwirrung that these bulletins reveal has run its course. This is not Anarchy, Eve. This is Chaos.” I think it’s quite a fine distinction, and is well explained, but most of all, it’s something I had not thought about before, so I found the concept intriguing.

Monday, March 3, 2008

V for Victimhood

I envy all of you who may be reading this for the first time. Sad to say, it just isn't the same the second time around. Where a book like Dune only gains in the rereading, V for Vendetta relies too heavily on twists and sudden reveals, however dramatic they are, to be anywhere near as interesting after the first time. Nevertheless, I shall endeavor to enjoy it once again with you.

The character of V is an interesting one, and I'm not referring to the man who was injected with chemicals at a concentration camp. I'm talking about the identity assumed by that man, which he then passes on to Evey. V seeks to create the land of Do-As-You-Please, a place where freedom is the watchword. We can only assume, lacking evidence to the contrary, that this is very similar to Heinlein's "rational anarchy." V doesn't pretty its political ideology with the throwaway word "rational," but the precepts are pretty much the same: everyone can do what they want, and things will just work out for the best. V effectively achieves its goals by destroying whatever bloated authority exists in society and then educating the remainder.

Disregarding the question of whether enforced anarchy is merely tyranny of another stripe, V fulfills a role much like Mike: its immense knowledge and power makes the anarchic revolution possible, and then it runs the risk of exerting too much control and making the revolution moot. However, Mike's friends recognized the danger of allowing him to remain in power. V, on the other hand, is portrayed as the perfect hero of a new age. Each book takes the cheap cop-out of showing how its idyllic society actually forms, but V offers a much more sinister expectation. What happens to the most capable being in an anarchic society? Well, if individuals behave rationally and attempt to maximize their self-interest, then eventually the entire society coalesces around that most capable being. V's ability to initiate change, immense knowledge base and mythical status mean that it must exempt itself from the day-to-day occurrences of the world it hopes to create.


The Future

Like a god unto men, it walked
Smiting all those who displeased
And we, in turn, were smitten
By its grace and the way it talked

In our poor judgment we followed
The creature so perfect and free
That promised us nothing but treasure
Yet all of its words were so hollowed

Those great men who seek to lead
Weaker men heed their words
But the stranger, dismayed, will cut
And the strongest among us will bleed

We return once again to our caves
Watching crabs gather on shore
To remember the days of society
And one day forget kings and knaves